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Dark Fantasy Author

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Adult Autism Diagnosis

October 13, 2020 by valneilbooks

I have some traits of (strikethrough)
There's a chance I'm (strikethrough)
It's highly probable I'm (strikethrough)
I'm pretty sure I'm (strikethrough)
I am Autistic

I got my formal diagnosis today. It’s hard to quantify how much this means to me. 2020 has been an incredibly stressful year. My mental health has been shit and my writing has slowed to a crawl. On top of that, my lack of a formal diagnosis has been a constant source of anxiety. I’m an autistic author writing autistic characters. While self-diagnosis is widely accepted within the #ActuallyAutistic community, anyone outside that sphere would find it laughable. I know I don’t owe anyone my diagnosis, but when you have a self-diagnosis it’s tempting to caveat everything with “I maybe kinda possibly think” to avoid feeling like lying. I’ve avoided doing that on my author platform, living in fear of the day someone might ask me directly, and me responding with the truth, knowing how that would be perceived.

I mostly avoided formal diagnosis because I was afraid of unforeseen future discrimination. I still am. This stuff can be used against us in things like custody battles. While my spouse would never do that, you never know what the future holds, especially when one lives in a country with a president who openly mocks disabled people. I’m still scared of having a formal record of my diagnosis.

But there’s another reason I avoided professional diagnosis- imposter syndrome. Many of us have co-morbid anxiety (I do) and this leads us down the path of self-doubt, no matter how many times we stack up our traits against the DSM. So what if I sent my psychologist thirteen single-spaced pages of how I met the criteria? What if I was deluding myself? What if I had more friends than I thought? What if I wasn’t outwardly autistic enough for the examiner to see? I had to find someone experienced in diagnosing adult women. Otherwise if I didn’t get a diagnosis I’d always wonder if it was a failing on the part of the examiner.

So I searched. Not a lot of people in my area diagnosed adults, let alone specialized in women. Then I got a lead from a friend—the clinic that diagnosed her daughter specialized in girls and women. They were quite a drive, but doable.

The cost? $5500.

It’s a special kind of hell having to pay thousands of dollars to subject oneself to grueling examination by a professional just to have one’s identity validated. I couldn’t justify the cost so I didn’t move forward. That was a couple years ago (they’re now $6300). I searched again and found a clinic for $2500. Still a lot, and they didn’t specialize in women.

At this point I really wanted a formal diagnosis. If I went with the $2500 place and didn’t get it, I would second guess the results forever. But $6300 is so much god damned money. I could get so many books edited for that. I took a chance and went with the cheaper place. They did mention women on their website, and despite my trepidation when I emailed them, the psychologist seemed decent. (Having been through the whole process now, I can say that she’s good with autistics—great at priming what to expect and you can set up everything by email instead of having to call, THANK FUCK.)

I was initially quite worried, especially since I didn’t know how many of my traits were evident in childhood. That’s pivotal to an autism diagnosis—it can’t be something that shows up in adulthood. This can make it hard to get a diagnosis if you don’t have any living parents/caregivers able/willing to give an accurate history. The psych told me a lot of parents don’t remember enough. I spoke to my mom after scheduling the diagnostic process, not before, so I had no idea how much she recalled of my sensory issues or anything else.

Turns out I needn’t have worried. Learned some new things about myself, like how people thought I was hard of hearing, though my dad liked to point out, “How can she be HOH when she’s so sensitive to noises?” Indeed. After talking to my mother, I was a lot more confident I’d get a diagnosis and stopped stressing over the impending results.

It was nice going into my final appointment today for the results and being more mentally prepared. I’d originally anticipated much crying, but I’d had a week to adjust so I wasn’t an emotional wreck. I feel validated and seen.

I want to end this by saying that self-diagnosis is valid. It’s not like I was any less autistic before my formal diagnosis. There are a lot of barriers to diagnosis. I was very privileged to be able to afford mine. Not can afford it, and that’s assuming they can even find a doctor to take them seriously. Women in particular are extremely likely to be misdiagnosed with things like Borderline Personality Disorder (BPD). BIPOC are still underdiagnosed.

Filed Under: blog Tagged With: actuallyautistic, adult autism diagnosis, autism, autismdiagnosis, autistic, diagnosis, selfdiagnosis

Classic Movies: Willow

April 2, 2020 by Val Neil

It’s been difficult to  write lately, even though I’m stuck at home with lots of free time. Lately I’ve been refilling my creative well by watching or reading old favorites.

willow-photo-warwick-davis-1021582-e1556880337847

The movie follows Willow, a farmer who performs magic tricks and dreams of being a real sorcerer. While his village lives in peace, the rest of the country is torn by war, as people fight against the evil queen Bavmorda. A prophesy tells of a child bringing down the queen, and when Willow’s family finds the baby floating in the river, he is tasked with protecting her. It’s a typical good vs. evil flick, with magic, monsters, chase scenes, and humorous interactions between characters.

willow4

Stuff I Love About this Movie

  • Madmartigan screaming at a troll
  • A brownie putting the moves on a cat
  • “I will not be ignored!”
  • Two old women having a knock-down fist fight
  • Madmartigan going all Home Alone on an army
  • “You NEVER go that fast with an infant on board!”
  • Willow threatening Madmartigan with an acorn
  • The two-headed dragon monster
  • Karma for Burglekutt
  • Apple boobies
  • the sled scene
  • the creepy-ass wails you hear throughout the movie
  • Sorsha insulted when Madmartigan stops liking her
  • Willow’s failed attempts to use magic
  • The horsedrawn cart chase scene
  • Opposing parenting strategies
  • The fucking pig scene scarred me as a kid

sorcha

Also, can I just say how nice it is to have a movie with several female leads on both sides? And different ages (again, old lady fight!).

Willow’s village is also awesome. Instead of going all LOTR and shrinking down standard-sized actors, they employ a bunch of little people* to play the Nelwyn. Roles for little people usually make them the butt of jokes or relegate them to nonhuman characters with enough make up and prosthetics to make the actors unrecognizable. Warwick Davis, the actor who plays Willow, began his career playing the Ewok Wicket. The Nelwyn characters are varied, from political bully to sage sorcerer to warrior to loyal BFF to loving family. Willow may face prejudice and slander away from his home, but it’s a nice change to see a community of little people normalized.

If you love fantasy/adventure and haven’t already seen Willow, I can’t recommend it enough. It’s got action, adventure, comedy, trickery, magic–all the cool stuff. And if you’re a writer, this is an excellent example of the Hero’s Journey.

* someone please correct me if that term is incorrect, going off googled preferences here

Images belong to Lucasarts or whoever currently has the rights to Willow. Copyright © 2020 Val Neil. All rights reserved.

Filed Under: blog, Recommendations, Uncategorized Tagged With: fantasy, Movie Review, val kilmer, Warwick Davis, willow film, willow movie

Selling Your Villain Protagonist

January 22, 2020 by Val Neil

When I first wrote my book, I began with a flash forward that set up my main character as a calculating cult leader who manipulated his followers into sacrificing themselves for a cause. It did a great job of establishing my character and my critique partners loved it. Unfortunately, fantasy alpha readers didn’t. It took place too far in the future for them to care, and the tone (dark and brooding) was vastly different from the rest of the book.

I cut the flash forward, but I was left with a chapter 1 that was never designed to introduce Nikolai with the same level of depth. Lacking the flash forward, alpha readers of my chapter 1 consistently had questions about Nikolai’s character. Why was he like this? What was his tragic back story? And why did he care so much about learning black magic? All valid questions (Except the last one. You really have to ask why a young guy wants to make things explode? Quite frankly, I am astounded how many people ask this. It’s like asking why young men like Call of Duty or Halo.), but not something I could address so early in the book. If I had a traditional protagonist, someone more empathetic, readers would probably be willing to wait a few chapters for those answers. But I don’t have a traditional protagonist.

I have a psychopath.

I attempted to correct the characterization issue by writing a new introduction that hung a flag on it. I started with a paragraph that was the core philosophy of my character, and spent the next page and a half trying to connect that one paragraph to my inciting incident. I ended up with something very similar to the introduction to one of my favorite books, The Princess Bride (at least the “story” part of the book). It opens with a series of comical vignettes that have little to do with the story, but do an excellent job establishing tone and setting expectations. This book is going to be funny, it screams.

My opening was much the same, with a very in-your-face vignette of Nikolai’s activities when he first arrived in Haven. The way I saw it, this segment had one job—announce loud and clear to the reader that this book unapologetically starred a villainous protagonist—and for that it was very effective. The new intro got a lot of gasps and laughs over Nikolai’s over-the-top behavior, and readers stopped asking me why he was the way he was.

The new intro also won me a few super fans, people in my beta reader pool who tore through the book in a matter of days and were super pumped to read the next. These readers loved the introduction, describing it as unique, funny, and refreshingly to the point. I know exactly what they mean, because I dig that kind of opening too.

feedback3

If you know anything about storytelling, you’ll know at this point things take a turn.

I began shopping around for editors, which includes sending a sample of your first chapter. One editor mentioned my intro might have too much narrative and suggested I break it up a bit with dialogue. Two others said it had too much exposition that, while “essential,” should be weaved into the story elsewhere. Most of my exposition was irrelevant to the story, existing for the sole purpose of building character in that intro, so their suggestions that I move it elsewhere weren’t particularly helpful. At that point, it should just be cut.

One of the things I’ve heard in writing is that “If one person says something, that’s their opinion. If three people say it, you should take it under advisement.” While not all the editors brought up these issues, at least three did, and editors know a hell of a lot more than the average critique partner. Still, I wanted to see what readers thought. I did the logical thing and posted in several Facebook groups asking for beta readers for chapter one. I included three questions:

  1. Does the chapter pull you along from start to finish?
  2. Did you find it infodumpy?
  3. Should it start where it is, or begin at the inciting incident (the letter)?

Eighteen people responded and nine followed through. I tracked them on a spreadsheet because that’s how I roll. As you can see below, the majority were less than impressed and found it a bit too infodumpy (though there’s another superfan on the end there).

chapter 1 questions

Disappointed, I rewrote the intro, making it much shorter and more traditional. It had none of the humor or tone setting of the previous version. I sent it to my editor, and she said it was much better.

They say that if you’re ever caught in indecision, you can flip a coin to find out how you really feel. If the result you get makes you feel relieved, then that’s what you should go with. If the result makes you feel disappointed, then you know to pick the other one. Either way, you know

The rewrite ate at me constantly. I could see why it was technically better, but I didn’t like it. My fans didn’t like it. I tried to figure out a way to combine the two and came up with nothing. I made a list of the pros and cons of the original opening.

Pros:

  1. Voice
  2. Character
  3. Humor

Cons:

  1. Too long
  2. Too much exposition
  3. Needed better transition

The third con in particular caught my eye. Looking back at my beta reader responses, several people called it choppy and disjointed. I knew the transition between the intro and the inciting incident was bad. Could that be fixed?

Then I got a late response from one of the readers. Did I still want input? I sent her the new, gutted version my editor had liked, and got the questions once again.

feedback5

feedback4

Right back where I started. The second of these was in response to a line that had previously gotten laughs with many readers. Without the intro, the joke hadn’t landed. It was frustrating as hell. It had been so long (over a year) since my alpha readers, that I’d forgotten this was the why I’d done the villainous intro sequence in the first place.

Out of curiosity, I tossed her the old version to see what she thought.

feedback6

BAM. She immediately sees the necessity of that opening paragraph, the one that gives Nikolai’s core philosophy in life. She laughed three times with the old introduction, and suddenly she was praising my characterization. She went from calling Nikolai “nasty” to complaining that he didn’t go far enough and kill a guy.

feedback7feedback8

To her credit, the she pointed out some issues with my intros that could be addressed. I banged out the third version that solved the problems and sent it back to my readers. The response was lackluster. Basically, “better than version 2, but still not as good as version 1.” I wasn’t sold on version 3 either. It had characterization, but lacked humor and tone.

I went back to my villainous intro, gutted all extraneous exposition, added dialogue to break up the narrative a bit, and fixed the transition (I hope). Then I sent it to a trusted reader and he recommended even more places where it could be tightened.

So here I am, back with my unabashedly villainous introduction. It won’t appeal to as many readers, but it should appeal to the right readers.

Copyright © 2020 Val Neil. All rights reserved. Special thanks to Tim for all your help. You rock.

Filed Under: blog, writing Tagged With: author, character, opening chapter, psychopath, villain

The End of NaNoWriMo

November 29, 2019 by Val Neil

NaNo is coming to a close soon. I normally have a pretty regular schedule for my writing. This month is been go go go the whole time. On the one hand, I’m up to chapter 26, but I’ve been neglecting this blog and my critique partners. I can’t wait to take a bit of a break.

I recently bought Dragon Naturally Speaking and that has helped me get words out faster. That said, I’m now working with chapters that were originally written for book 1, so most of what I’m doing is editing/rewriting to fit the new timeline. Dictation isn’t quite as good for that. It’s much better for just a rough draft getting the story out. I’m using it to write this right now, allowing me to look away from my screen and focus on my fidget. It’s pretty cool, and I’ll have to make a blog post about it when I have more time.

I just wanted to get something up right now. So I thought I’d give you a sneak peek of my chapter titles for book 2. Some of these are placeholders and some of them might change.

working chapter titles

If you’re still working on NaNo and you’re not close to hitting the 50K, remember that it’s about building daily writing habits. Whatever you’ve written this month, that’s more than you had when you started. Keep plugging away. I hope to have my first draft of book 2 finished by the end of December. That means I will have written book 2 in two and half months. Book one, because I had no idea what the fuck I was doing, took seven months.

Copyright © 2019 Val Neil. All rights reserved.

 

Filed Under: blog, NaNo, Uncategorized, writing Tagged With: author, fantasy, nanowrimo

Guest Post: Space Dust by Eloise De Sousa

October 5, 2019 by Val Neil

This week I’d like to welcome fellow author Eloise De Sousa, who is doing a blog tour for her new book Space Dust. Welcome Eloise!


Thank you, Val, for hosting me on your fantastic blog. Let me start by introducing myself. I’m Eloise De Sousa, an adult and children’s author based in Berkshire. I’d like to welcome the readers who have been following my blog tour over the past few days. Thank you for your support.

So far, this tour has taken us to seven destination blogs, all different and all very talented in their craft. They have kindly accommodated my posts and helped share the news of my new children’s book, Space Dust. The book itself was written for the local Library Service to help support their Summer Reading Challenge which encourages children of all ages to read books from their local library over the summer holidays. I’m an avid supporter of children’s reading. Building great minds begins with a book!

space dust

If this is your first time joining the blog tour, let me give you a quick synopsis of the book.

Space Dust is a fantasy adventure about Little One and Big Ox. Little One’s mother has gone away and has forgotten to say good-bye. Big Ox decides to take his ward on an adventure up to the stars in his canoe pushed along by his absolute favourite spoon. They are on the search for Mummy and hope to wave hello to her from afar. There’s more to the adventure as Little One discovers along the way, allowing imagination and fantasy to lead the way.

When writing fantasy for young children, reality and imagination have to strike the right balance. After all, they love to point out the obvious as I found out in one of my reading sessions where I was questioned on how sea horses could survive on Jupiter! Working the realism of everyday life and given the number of parents who must leave their kids in childcare every day, to support their families and bring home the bacon, I used that stress as my conflict in the story and the generic child’s reaction of not knowing if Mummy is coming back. Adventure, fun and a generous dollop of imagination can help scare those worries away until Mummy returns but, it’s not always enough. Keeping the fantasy and reality in a tight balance gave the story enough drive to keep both the adults and the children absorbed in the story to find out if the duo found Mummy in the end.

Here’s a little taster of the book and the details to purchase your copy, which is available from Amazon, Barnes & Noble and my publishing site, Lulu.

Big Ox hugged his little friend.

“Don’t worry, Little One.

Let’s go on an adventure.

I’m sure it will be fun.”

 

“Where will we go?”

“Up to the stars.

We might just get to see mum

and wave to her from afar.”

 

With that promise

bringing a smile

to Little One’s face,

they set off in a canoe

on their adventure

into space.

 

Up, up high into the

starry sky they sailed,

weaving a beautiful

 rainbow ribbon trail.

 

Click here to order your copy of Space Dust.

 Do send in your pics and reviews of Space Dust – I’d love to share them with the rest of the readers.

Here is a list of my children’s books available now:

If you would like to find out more about my books or about me, please click on any of the links below:

Author Page

Amazon

Lulu

Facebook

Thank you for joining me. Tomorrow, we will be visiting Ritu’s blog, But I Smile Anyway. See you there!

Filed Under: Guest Post Tagged With: children's books, children's lit, space dust, writing

It’s Been a Week…

August 18, 2019 by Val Neil

It’s been one of those weeks. First week of school. Yay, right? I’ll have so much free time!

Except that I found out that my son was assigned to the wrong school. Two days before school starts.

He’s autistic. We lost a whole academic year in 2017 because his teacher didn’t follow the IEP. His behavior regressed, they stuck him in the most restrictive classroom, and we only got out of it late last year. At the last IEP meeting, we specifically asked that he NOT be placed at that site again, and made it pretty clear that the teacher and the classroom setting were to blame for his behavior issues (that could be a whole post by itself, but I’m not going to go there right now).

They assigned him the same school. They even assigned him the same teacher.

Of course a computer probably assigns kids to the closest school that has the right services, but I had to call and email the special education department (which probably already inundated due to school starting in TWO DAYS) to get him moved.

We got it sorted out and he’s moved, but all the gross feelings I have about this district have been brought to the forefront again. Our district is pretty terrible at educating autistic kids. Again, not going to get into here, but we’ve been fighting to get the right services for years now.

It’s seriously fucked with my mindset. I haven’t touched my own manuscript since like Monday. I did manage to get a lot of critiquing done for other people, because I have the brain power to do that, but not much else. Been going to bed early and waking up stressed.

I normally try to work on writing stuff at least every other day. If I wait too long, the book goes out of my brain and it’s really difficult to get that mindset back. I’m really hoping next week is better, but I have an event to prepare for (not book-related), so my attention will probably be pretty divided.

© 2019 Val Neil. All rights reserved.

Filed Under: blog

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